Leo Nagglas
1972 | 2011 |
Leo Nagglas’ career was launched in Rotterdam. From 1967–1969 he was the central figure of a band named ‘Never Mind’. This band was regularly the support act of Cuby & The Blizzards when they visited the north-eastern part of The Netherlands. He also acted in the band Looking East.
When he moved to The Hague in 1969, Leo could be found in various line-ups. He impressed the scene for a pretty while with Green Lizard [Jacques Kouwenhoven (vocals) and brothers Chris (drums) and Peter van Dijk (bass)]. Green Lizard welcomed some new staff members and became 'Stonehenge', still having vocalist Jacques Kouwenhoven and Leo on board.
In 1971 Stonehenge split and prior to his LAVA activities, Leo was asked to write and play a couple guitar solo’s on behalf of Q65. Their Album ‘Afghanistan’ (in those days no one could think of the current topicality..) needed an upgrade. Please, click here then scroll down for Reünie (Reunion).
In his ‘post LAVA’ life, Leo could be seen performing with guys like Paul Heppener (bass), Iwan Leue (vocals) and English George Jackson on drums. This band 'Confrontation' even toured a couple of weeks in Austria. It was a short, but heavy, adventure.
After various hard rock and even heavy metal bands (Scimitar being one of them), Leo switched to another discipline at the end of the 70s. He turned into a highly appreciated Sound Engineer and toured with acts like Park Lane (Amsterdam), Bodine, Vengeance and Avalon (Maastricht).
From 1985 up to his retirement, June 2008, Leo Nagglas focussed on his social career successfully.
Leo’s scrapbook can be found here.
May 2014
Ger Crama
1975 | 2011 |
Ger Crama started his musical career in 1967 with ‘Bobbey’s Children’. The band was born at the ‘The School of Economics’ in The Hague and ‘Blues’ was on the menu. Rehearsing was done at school and Dirk Alexander Bobbe - after whom the band was named – turned out to be an excellent manager. The youngsters were busy exploring their home country from North to South and from East to West more often then advisable regarding homework. Who cared?
March, 1969 |
Bobbeys Children
L2R Hans Segers (Bass), Frank van der Kloot (Lead Guitar), Gerrit Crama (Vocals, Harmonica),
Jay Quee (Drums) and Aldert van Wijk (Rythm Guitar)
Things turned already a bit heavier, early 1970, when Gerrit switched to ‘Wild Cherry’, a group formed by musicians from ‘The Scarlets’ and ‘Big Wheel’. ‘Solid rock and heavy blues’, could have been the style label of Wild Cherry.
Wild Cherry (June, 1970)
L2R: Leen Alleblas (Bass), Henk Kicken (Guitar), Gerrit Crama (Vocals, Harmonica),
John Groen (Drums), Karel Koeleman (Keyboards)
After his Wild Cherry period, Gerrit, like John Mendels, shared almost the complete LAVA history.Early 80s, Gerrit was approached by a successful producing Duo and asked whether he fancied to use his vocal talents in Dutch! For various reasons, the released single didn’t reach the charts. This part of his career ended before it really had started. Once the blood vessels contain music, music will always be streaming. From 1985-1990 Gerrit was the manager of Livin’ Blues. In this period the LP (1987) ‘Now’ and the CD (1989) ‘Snakedance’ were released.
Bobbey’s Children:
Frank v.d.Kloot - Lead Guitar
Aldert v.Wijk - Guitar
Hans Segers - Bass Guitar
Jay Quee - Drums
Gerrit Crama - Vocals / Harmonica
Wild Cherry:
Henk Kicken - Lead Guitar
Bram v.Aarsen - Bass Guitar (quickly succeeded by Leen Alleblas)
Karel Koeleman - Keyboards
John Groen - Drums
Gerrit Crama - Vocals / Harmonica
Livin’ Blues:
Niko Christiansen - Vocals / Saxophones
John Lagrand - Harmonica’s
Aad van Pijlen - Bass Guitar / Vocals
Art Bausch - Drums
Joop van Nimwegen - Lead Guitar
Willem v.d. Wal - Slide GuitarLivin' Blues Wikipedia link here
Ger’s scrapbook can be found here.
May 2014
Rob Wezepoel
Rob Wezepoel was born and raised in Voorburg, a suburb of The Hague having its own ‘scene’.
His musical aspirations and skills, sought and found a way to develop during his first high school years. Class mate Hans Segers (see also Bobey’s Children in Ger Crama’s bio and scrapbook) learned him how to handle a guitar. In 1964 both joined brand new formation ‘The Black Jewels’. Rob had to switch to bass guitar for an obvious reason; Hans Segers fancied playing solo!
Due to personal circumstances, Rob had to put his musical adventures on hold for a while in 1970. During 1975 it started, however, to itch again. Employed by lift manufacturer ‘Starlift’ in Voorburg, he joined the band ‘Enterprice’ (the misspelled letter ‘c’ was done on purpose here). The foursome were all colleagues and the owner of the company (famous Mr. D. Stoop) made a great space available for rehearsing.
A re-start of his musical career at full throttle was a fact.
Currently Rob is also regularly performing on stage with ‘GreenHouse’. An extraordinary skilled company of musicians, named after a historical, but small, rehearsal facility in Voorburg.
For a complete overview of his career, please, check the Scrapbook of Rob Wezepoel here.
Leon Bazuin
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Leon Bazuin-Ebels would become an artist of some sort rather sooner than later. If you are born and raised in a music and theatre loving family, it’s even a kind of obvious. Already in his young years Leon discovered his Dad could handle a guitar pretty well. On top of that, both his parents admired theatre and acted, over many years, in numerous (amateur) plays.
When he, as a kid, showed interest in playing the maracas, it was no wonder his parents stimulated his sense of rhythm. At the age of 12, he received his very first drumkit wrapped in birthday paper!
In 1976, at the age of 17, Leon had his first band; Black Birds. The band wore the logo of the iconic Pontiac Firebird car. These Birds never showed up in order to perform publicly. “No, we were simply too scared for that. Really,” recalled LAVA’s drummer.
These Black Birds rehearsed a lot of The Rolling Stones and some Beatles work.
His very first public appearance as a drummer on stage came on 11 June 1977 with his new team ‘Artificial’.
Leon on this event: “For this, we put our complete back-line in a Citroen 2CV and headed to the shed of the Jansen family in Poeldijk. We rehearsed in their Boiler Room and as a matter of appreciation we agreed upon doing a show on stage for them and their friends.”
The sets contained basically still Stones and Beatles songs.
Things turned into more serious business with a band named ‘Guerrilla’. Own, Pop-Rock style, work was on the menu. Nicko Christiansen, front man of well-known Livin’ Blues and Livin’ Blues Experience, handled various instruments highly competent as always also on behalf of Guerrilla.
Leon on one specific occasion: “On 30 August 1980 we performed on a huge stage at Noordzee Pop on Scheveningen beach. The promotors of this festival went on, later, with ‘Malie Pop’ and eventually with the largest ‘free’ festival of Europe; world famous ‘Park Pop’ in The Hague/NL!”
In the early Eighties of the previous century, Leon switched ‘scenes’. He moved to Delft and joined ‘Stealer’, based in Rotterdam.
“This band had already quiet a few records out in Germany”, he remembered, “consequently, we have toured in our neighboring country on many, many occasions. When I left them back in 1983, Stealer added a female singer (Fréderque Spigt/HH) and changed names. The band turned into “I’ve got the Bullets’ and now also became successful for a while in our home country.”
After this turbulent period of time, Leon switched scenes once again. This time not geographically, but musically. At the end of 1983 he joined ‘De Neus’ (The Nose/HH), a pop-rock band. The name already tells something. ‘De Neus’ perfomed using the Dutch language only!
Leon Bazuin-Ebels: “This was great fun. Half of the band came from the Utrecht area and the other half from The Hague. We had a few singles out and one of them ‘Het Strand’ (The Beach/HH) became a small hit.”
During the last decennium of the last century and the first of the current one, Leon found his way in various ‘Cover Acts’.
Somewhere in between these, Leon had busy period with Waldorf. This band developed its own ‘lounge’ style of music.
“The cover acts were exciting ones”, Leon remembered, “I’ll try to mentioned them in some kind of order. Here we go; ‘Roezband’, ‘No Erection at All’, ‘The System’, ‘LeoN&FriendS’ and ‘Footloose.”
Leon on the one with the most naughty name: “No Erection at All was a band for the largest consisting of students from the Delft University and we did show up all over the country. We must have performed at least on 250 different occasions. By the way, every 10 years we do a reunion concert somewhere. Still great to do.
”LeoN&FriendS existed about 10 years. And finally, I had a great time drumming in ‘Footloose’. We were world famous ……. In Vlaardingen and Schiedam! The most memorable concert was the final one. In 2014, we have done that show on a huge stage prepared on ‘The Maasboulevard’ in Schiedam in front of an attendance of 4,000! A great concert and experience that was.”
Regarding LAVA, Leon isn’t shy or whatsoever: “Well, first of all, it’s a bunch of nice guys. Down to earth. That is of help regarding a speedy integration. The current setlist is a nice mix of own material and specific covers. Also some blues. I like that. Looking forward now to show our progress to the audience and fans.”
A long list of ‘happenings’ and styles in Leon’s career:
Period | Band | Style |
1976 | Blackbird | Covers / Beatles, Rolling Stones |
1977 | Artificial | Covers / Beatles, Rolling Stones |
1978-1981 | Guerrilla | Own stuff / Covers, Rock 'n Roll |
1982-1983 | Stealer | Own stuff / New wave, Pop |
1983-1984 | De Neus | Own stuff / Lyrics in Dutch |
1987-1994 | Roezband | Covers / Rock 'n Roll, Pop |
1987-1995 | No Erection at all | Covers / Top-40, Pop, Rock |
1994-1997 | The System | Own stuff / Pop |
1995-2007 | LeoN&FriendS | Covers / Rock 'n Roll, Pop |
2000-2002 | Waldorf | Own Stuff / Lounge |
2008-2014 | Footloose | Covers / Pop, Rock |
2018 | Pulpit Pimps | Own Stuff |
2019 | LAVA | ...You ought to know! |
A nice overview of his looks in all those years can be found in his scrapbook.
Former Members
For former members of LAVA, click here.